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Wednesday, September 16, 2020

The Devil All The Time (2020) [Short Review]

The Devil All The Time is by Antonio and Paulo Campos, and IMDB’s summary of it is “Sinister characters converge around a young man (Tom Holland) devoted time protecting those he lives in a postwar backwoods town teeming with corruption and brutality.”

That’s really just one of several stories being told, actually. It’s great that everyone gets a complete follow-through, but if I was to write a headline for a (longer) review it’d be like “Choose your own adventure, and stick with your favorite.” This movie may have better presented as a miniseries. Every story and character reaches a satisfying conclusion, but it still doesn't feel like enough either. 

I liked the multifaceted takes on religion, good, bad, and ugly. The bad has a lot of dimensions, as we have people who are just misguided by their strong faith, and they’re much more than simply using God to fulfill acts of greed and lust. Some of that is present too, but seeing them all together keeps the movie’s voice at least somewhat new. That, along with the setting, gave me a There Will Be Blood vibe, in a good way. It probably helps that There Will Be Blood is actually (finally!) a recent watch.

The cast was very good. Robert Pattinson, of course, stood out. Sebastian Stan did too. Tom Holland was great, but Marvel is just really hard to shake off. This doesn’t help, but he’ll be fantastic in an “Alien Costume” adaptation, when the time comes. The biggest surprise is Harry Melling (Dudley in Harry Potter) as one of the preachers. His energy, similar to Pattinson’s in this, is absolutely infectious.

Since some of us are starved for the theatre experience, that definitely is influencing things. I put this on without hesitation because I just turned in my laptop for repairs. This is being typed out on a goddamn phone. Still, The Devil All The Time will keep audiences engrossed in its story, as it seamlessly jumps back and forth in time, and I will be looking forward to the next project from The Campos.

3.75/5, and at least 4 if it was a miniseries.

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