Thursday, August 13, 2020
The Babysitter (2017) | Video Review
Tuesday, June 23, 2020
Superman vs The Elite (2012)
Note: Thank you to Russell Hartman for previewing this review for accuracy.
The classic version of Superman is hard to come by, especially on-screen. Now, my stance on the DCEU is that Snyder was going on a journey to the blend of Clark and Kal-El that we’re familiar with and love, and his cut of the Justice League should prove that. If I’m wrong about that though, or you feel the damage has already been done with the snapping of Zod’s neck, then I recommend Superman vs The Elite.
Superman vs The Elite pits Superman (Justice League's George Newbern) against a team of vigilantes intent on acting as judge, jury, and executioner. What makes this a challenge isn’t just that they’re at times more than evenly matched for The Man of Steel, but their methods quickly become not just accepted but popular with the public. Even as understandable as that may be for some, seeing it through Clark’s eyes is scary and depressing. The Elite’s championing of chaos and anarchy comes at the expense not just of due process, but humanity. This movie is directed by Michael Chang, adapted by Joe Kelly, and based on his Action Comics #775 issue "What So Funny About Truth, Justice & The American Way.”
So, what sticks out about this movie immediately, especially during the
first viewing is the art style. It’s pretty cartoony-looking, especially for
a DC animated movie. It’s similar to the original comic but pushed a little
more. Once you get used to it, it’s great. It makes Superman look older than
he probably is, like in his 40s or 50s, and that’s very fitting for a story
where he feels a bit out of place with the rest of the world. Zack Snyder
makes him feel out of place by making him more of an alien, and there’s
nothing wrong with that, but Chang does it by making him feel more human.
The style, by the way, allows for fluid animation, and great fight scenes
(describe some fights), on top of some already interesting
visuals.
Superman's full strength and range of powers are taken advantage of in ways that are a bit unexpected, like a sonic scream, but it's one of the Elite members, who steals that show. Menagerie (Melissa Disney) is a mixed bag of a character. Her hitting on Superman comes across as overly off-putting, since this version of Clark is so wholesome and has a great relationship with Lois (Pauley Perrette), but her powers help make up for that. She has these Medusa-like snakes, or eels or leeches, that she can shoot out of her body, but she also uses them as hearing aids and binoculars. She felt like a more powerful and creative version of Poison Ivy. While that's probably not true if they faced off, the movie makes a good case in the moment.
Besides Menagerie's forwardness, the only other problem with the movie is
just how fast the Elite are applauded for their actions. People who watch
these direct-to-video movies regularly are probably used to the fast-pace
needed to cram everything into about ninety minutes, but the movie actually
has a good buildup scene that just plays a moment too late. To give the
filmmakers the benefit of the doubt, the swept-up nature of how people treat
The Elite is necessary to bring out the film's themes. So, how do those play
out?
While this came out well after September 11th, and issue #775 came out six
months before, the response to terrorism is central to the story. What tips
Superman over the edge is when The Elite kill the leaders of two warring
nations during, albeit highly likely to break down, peace talks.
Their leader, Manchester Black's (Robin Atkins Downes) philosophy is "The
only logical thing to do is slot the whole McGill and start over." In some
ways, it's the Adrian Veidt/Utilitarian approach from Watchmen,
but this movie makes that less of an abstract concept. The Elite aren't
monsters, but they still did this in an up-close and personal manner, as
opposed to Veidt's method of flipping a switch half a world away. Adding
violence, pain, and suffering, at least as much as possible in a movie aimed
at teens and pre-teens, the consequences become more real. The need for more
than just the No-Kill rule, but a standard of humanity even when faced
against the worst of it, becomes more real. That's what this Superman
embodies. That's why some still look at a punishing Batman, even with that
rule firmly in place, with a raised eyebrow.
So, that's why this is one of the best Superman movies out there. The way
to make someone as overpowered and genuinely good at heart as Superman
interesting is to find a way to challenge that, and Superman vs The Elite may provide a clear answer for the hero's situation, but that doesn't
make it an easy one. I honestly believe that's what Zack Snyder was going
for in that aforementioned pivotal scene of Man of Steel, but
something got lost in translation, and that version of the character hasn't
fully recovered, despite Henry Cavill showing incredible range as the
character in the cape and in "Kansas Plaid."
Back to Elite, it's an incredibly human story. That’s most
clear in the moments between Clark and Lois, and him and his dad (Paul
Elding). He’s able to be his most (Kryptonite-free) vulnerable, doubting,
and scared version of himself. It's in some ways like back to when he was a
kid and still figuring everything out. I hope DC's animated branch continues
to give us more films like this, especially from Clark...although not
necessarily this Clark. If you haven't read or heard of Superman: Secret Identity, I highly encourage everyone to check it out.
I plan to return to this movie at some point soon because the original plan
was to compare it to Captain America: Winter Soldier. While
the extreme of Elite is anarchy, the extreme of Winter Soldier is national security, but with both characters championing similar
ideals, so there's definitely more to say on the topic.
Anyway, I'd love to hear what others think of this movie and other pieces of Superman, or superhero, media. So, if you have something to say, leave a comment, or better yet, write or film your own review/essay and put it up on your own platform.
Friday, May 29, 2020
Polar (2019)
Friday, May 22, 2020
Hitman: Silent Assassin | Fan Trailer For the 2007 Movie
Friday, May 15, 2020
Peter Pan (1953) | Guest Appearing on the Dolewhip and Dreams Podcast by Matthew Ryan Limerick
Peter Pan, along with Winnie the Pooh, was one of my earliest hits of Disney magic as a baby. And while I, and many of us, watch or revisits or favorites, it's rare that we get the opportunity to really dive into them. We usually just check if we feel the same way about it, and that's that. With my friend Matthew Ryan Limerick, we went a little bit further. Please check out the Saturday Morning Confidential Podcast for what we had to say, and also listen to other episodes because they cover a wide range of
Saturday Morning Confidential Podcast Links
Sunday, May 3, 2020
Bad Education (2020) | Video Review
Bad Education has incredible acting from the entire cast, with Jackman being the standout, sharp writing, and also a great score (which I talk about a little more in the written version of this review). I hope you enjoy the movie and this video.
Bad Education (2020)
It's rare to see school administrators cast in a positive light onscreen, just look at most 80s movies, but this one starts out with Tassone preparing to greet an adoring, thankful community. Michael Abels's score opens with music that's literally angelic. I'm surprised his name didn't pop into my head, after what he did with Jordan Peele's Us (reviewed here). Anyway, Tassone's work life and personal life slowly are revealed to be increasingly more complex than initially believed, and Jackman realizes every moment. A lot of the performance is non-verbal and comes across thanks to his face and his height. On top of that, he's able to go from courteous, and a student or teacher's best friend, to something else entirely, but not in the way you'd expect from Jackman. Maybe I'm off-base because I'm not an actor, but it's like this, calm to wronged and violent (Logan) is easy. Calm to angry, underhanded, but controlled (Tassone) is very hard. And it happens in seconds, successfully.
With Allison Janney, I'd compare her performance in this to the one she gave in I, Tonya. Both great, but I liked this one more. She's playing a much worse person this time around, but she doesn't come off that way. It's probably because Gluckin is a less wound-up person, and that gave Janney more room to breathe. A lot of the funny moments come from her, like when she's teasing Tassone about his diet, with a sandwich. Her chemistry with Jackman is excellent, and it's felt even when they're not in the same scene together, but that's to be expected when they have their own kinder, schoolhouse version of The Devil Wears Prada relationship. It's what makes the movie feel re-watchable, and the writing and directing are complementing that.
So, people going into this movie expecting a tone similar to The Big Short or Vice may have to put something else on right after to get their fix, but they shouldn't walk away disappointed. The scandal itself and the people involved are every bit as engaging as McKay's non-linear storytelling. This, for those who haven't heard of the Roslyn School District before, is the first great mystery movie of 2020. The investigation scenes, led by high school journalist Rachel Bhargava (Geraldine Viswanathan) are a lot of fun...although, it helps that a lot of the investigating involves forensic accounting, and I'm also a bookkeeper. If that doesn't do it, the dialogue can. One speech about a chained up race car, chained like school officials are to the demands of students and teachers, has a way of pulling the whole experience together and showcasing Bad Education's greatest strengths.
So, whether you come for the characters or want to follow the money, you're sure to enjoy Bad Education.
Sunday, April 12, 2020
Harley Quinn: Season 1 (2019-2020)
For instance, Batman (Diedrich Bader) and Gordon's (Christopher Meloni) relationship feels similar to how Batman and Joker's has been on the screen since The Dark Knight. It's explored and parodied at the same time. So, we get Gordon flipping the Bat Signal on-and-off because he needs to talk about his marriage with his closest confidant. To anyone familiar with Meloni's other work, the extra-level of meta-ness is a bonus. If they got their own spin-off, or even their own comic, it would be a lot of fun.
Like I said, the jokes had a certain South Park quality to them, and that's not just due to the MA rating of the series. It's in the little things, too. South Park will have these jokes that could fit in on The Simpsons. One was Emmanuelle Lewis appearing as a "Dictionary Official" when the boys get a word redefined. When he shows up, Stan just says "Oh, it all makes sense now." They're probably just there because it's the funniest line Stone and Parker could come up with, but I think it's also another way to show that there's more beneath the surface, especially early on with a new series. In Harley's case, one such joke is about the young age of a tree monster, as shown by the rings. It's a good laugh, in the middle of a lot of chaos toward the end of the season.
Finally, one problem with the show is that some episode endings seemed a little rushed so that they could save pieces of an arc for the rest of the season, but that's better than dropping storylines entirely. Another is that the animation and action could be better. With a higher budget, it could definitely take inspiration from Birds of Prey's (reviewed here) fight scenes and look as fluid as Spectacular Spider-Man.